Twin Pines Entertainment Launched in Kansas City
The media startup aims to produce content focused on heartland audiences with financial backing from Boardwalk Capital.
Updated on Oct. 13, 2026 in Remote Work
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Twin Pines Entertainment has launched with dual offices in Kansas City and Los Angeles. The 12-person company focuses on developing unscripted, scripted, and podcast projects centered on heartland narratives.
Why it matters
The firm seeks to address a perceived gap in Hollywood content, which the founders argue often overlooks or caricatures audiences living outside major coastal hubs.
Twin Pines Entertainment operates with a staff of 12 people. The company is backed by Toronto-based private equity firm Boardwalk Capital.
The players
Clint Kisker
The CEO of Twin Pines Entertainment who is leading the company's expansion into heartland-focused content.
Jason Kander
The head of business development at Twin Pines Entertainment.
Boardwalk Capital
A Toronto-based private equity firm providing the financial capital for the media startup.
Todd Lieberman
An adviser to Twin Pines Entertainment with experience in the professional film production industry.
Sean Kisker
The head of entertainment at Twin Pines Entertainment responsible for content strategy.
The details
The company leverages sports team fandom as a primary narrative entry point to reach regional audiences. By partnering directly with professional sports organizations, the firm aims to build programming that reflects the heartland's identity. The strategy contrasts with industry precedents like the $1.2 billion sale of Crunchyroll to Sony or the $900 million acquisition of Hello Sunshine by Candle Media.
Timeline
Twin Pines Entertainment was publicly announced on October 13, 2026.
Market Landscape
Twin Pines Entertainment enters a media landscape defined by the success of boutique firms like Hello Sunshine, which secured a $900 million valuation upon its sale to Candle Media. The company aims to capture similar market interest by targeting underserved regional narratives.
Operators in the media and creative services space should watch how Twin Pines Entertainment utilizes its sports-team partnerships to capture regional audience segments. Monitor whether this localized narrative approach effectively attracts the advertising and distribution deals necessary for growth.
The takeaway
The firm is betting that heartland audiences represent an under-monetized niche in the current media cycle. Operators should track the performance of its first partnerships with professional sports teams to determine the viability of content-driven audience engagement in the region.
Further reading
For more on industry shifts in distributed production models, see Remote Work.
Source note: This article includes information reported by Variety.
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Is the American heartland well-represented in the movies and TV shows you watch?
